Kavala - 20-22 May 2022
Co-organised by Elizabeth Key Fowden and Deniz Türker and co-funded by the Centre of Islamic Studies, Faculty of Classics and History of Art Global Humanities fund (all of the University of Cambridge) the first associated workshop was convened at the Imaret built by Mohammed Ali in Kavala. As our first meeting associated with GEA, but not funded by the Stockholm-Cambridge Research Grant, the workshop brought together historians of art, archivists, museum curators and conservators from the UK, Greece and Turkey who work with embroidery and textiles from the Eastern Mediterranean region. Embroidery is a highly portable form of material culture that cuts across religious, gender and linguistic divides, making its classification and description challenging for those who would use this material to analyse and communicate the region’s complex social, economic and religious intersections. Anna Ballian inaugurated the workshop with a public lecture on ‘Art and material culture in Ottoman Greece’, setting the parameters of discussion around issues of taxonomy. Participants debated the inherent challenges of taxonomy between ancient, Byzantine, Ottoman and modern Greece, between ‘Hellenic’ and ‘Oriental’ material culture, in the Aegean and wider Mediterranean context. Workshop participants focused especially on the often entangled backgrounds of the collectors. Ann French’s presentation focussed on the legacy of the ground-breaking Cambridge scholar Alan J.B. Wace, whose archives and personal textile collections have been dispersed across the Cambridge Classics Faculty, Pembroke College, the Museum of Archaeology and Anthropology, the Fitzwilliam Museum, as well as the British School at Athens and the Liverpool Art Museum.
Dedicated to the interdisciplinary study of Hellenism and the Islamic world, the Mohammed Ali Research Center (MOHA) in Kavala provided the ideal setting for our workshop, which brought together participants from University of Cambridge (History of Art, Classics and Centre of Islamic Studies), Whitworth Art Gallery (Manchester), V&A (London), Sadberk Hanım Museum (Istanbul), Calouste Gulbenkian Museum (Lisbon), Benaki Museum (Athens), Thessaloniki Aristotle University, University of the Mountains (Crete) and the Ephorate of Kavala.
Friday evening public lecture:
Anna Ballian (emerita curator, Benaki Museum of Islamic Art, Athens)
"Delivered in Greek, with English translation available"
Τέχνη και υλικός πολιτισμός στην οθωμανική Ελλάδα: ανάμεσα στην ιστορία και την παράδοση (Art and material culture in Ottoman Greece: between history and tradition)
Saturday morning introduction:
Deniz Türker and Elizabeth Key Fowden (History of Art and Centre of Islamic Studies/Classics, University of Cambridge, Cambridge)
Opening presentation:
Ann French (Whitworth Gallery, Manchester)
"Understanding the legacy: The embroidery collecting of RM Dawkins & AJB Wace"
Saturday workshop presentations:
Carol Humphreys & Deniz Türker (History of Art and Fitzwilliam Museum, Cambridge)
"Archaeology and ethnology between Hellenic and Oriental"
Rebecca Naylor (Faculty of Classics, Cambridge)
"Evidence for East Mediterranean textiles in the Archives of the Faculty of Classics, Cambridge"
Xenia Politou (Benaki Museum, Athens)
"Greek embroideries between East and West"
Lale Görünür (Sadberk Hanım Museum, Istanbul)
"Curating and caring for the Sadberk Hanım Museum Textile Collection"
Michalis Lychounas (Ephorate of Antiquities, Kavala)
"Embroideries of the Eastern Orthodox Church from the Byzantine tradition to the Ottoman world"
Rachel Dedman (Victoria and Albert Museum, London)
"Curating Palestinian embroidery"
Nikolaos Vryzidis (Aristotle University of Thessaloniki, Thessaloniki)
"Global perspectives on later Byzantine textile culture"
Jessica Hallett (Gulbenkian, Lisbon)
"Embroideries in gendered narratives at the Calouste Gulbenkian Museum"
Barbara Tertzis (Penelope Gandhi Mission, University of the Mountains, Crete)
‘στησαμένη μέγαν ἱστὸν ἐνὶ μεγάροισιν ὕφαινε’ (Homer, Odyssey, B 94)
"Tracing the thread – a study over centuries: a contemporary approach"